Through a visual language of abstraction and landscape, nature becomes a metaphor for the self—its shifting realities, layered horizons, and sudden ruptures echo the multitudes we each contain. Working between observation and intuition, I let color, texture, and form materialize the constant motions of my thoughts and feelings.

I approach the canvas as a dialogue. Landscape elements emerge and dissolve as I pour, scrape, and mark, responding to the materiality of paint and the histories of both abstraction and landscape painting. My process moves between quick, intuitive gestures and slow reflection, a rhythm that mirrors the uncertainty and change inherent in life itself. There is no fixed state. Each painting holds a tension between what is seen and what is sensed—between the outer world and the internal landscape it reflects. In the meeting of these worlds, I aim to reveal an ever-evolving self: a visual atlas of becoming.